Publications

The below publications relate to the development and use of Jamoma.

• T. Lossius, T. de la Hogue, P. Baltazar, T. Place, N. Wolek & J. Rabin (2014): Model-View-Controller separation in Max using Jamoma. Proceedings of the joint 40th International Computer Music Conference & 11th Sound and Music Computing Conference, Athens.
• T. Lossius, N. Wolek, T. de la Hogue & P. Baltazar (2014): Demo: Using Jamama’s MVC features to design an audio effect interface. Proceedings of the joint 40th International Computer Music Conference & 11th Sound and Music Computing Conference, Athens.
• P. Baltazar, T. de la Hogue & M. Desainte-Catherine (2014): i-score, an Interactive Sequencer for the Intermedia Arts Proceedings of the joint 40th International Computer Music Conference & 11th Sound and Music Computing Conference, Athens.
• Schuett, J. H., Winton, R. J., Batterman, J. M., and Walker, B. N. (2014): Auditory weather reports: Demonstrating listener comprehension of five concurrent variables. In Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound, New York, NY, USA. ACM.
• Jensenius, A. R (2013): Some Video Abstraction Techniques for Displaying Body Movement in Analysis and Performance. Leonardo Music Journal, Vol. 46, No. 1, pp. 53-60.
• Jensenius, A. R & V. Johnson (2012): Performing the electric violin in a sonic space. Computer Music Journal, Vol. 36, No. 4, pp. 28-39.
• N. Peters, T. Lossius & T. Place (2012): An Automated Testing Suite for Computer Music Environments. Proceedings of the 9th Sound and Music Computing Conference, 12-14 July 2012, Copenhagen. Nominated for Best Paper Award. poster
• A. R. Jensenius (2012): Motion-sound Interaction Using Sonification based on Motiongrams. In Proc. of the International Conference on Advances in Computer-Human Interactions (ACHI 2012), p. 170 – 175, Valencia. Winner of Best Paper Award. videos
• Y. de Quay, S. Skogstad & A. Jensenius (2011): Dance jockey: Performing electronic music by dancing. Leonardo Music Journal, Vol. 21, pp. 11 – 12.
• Y. de Quay (2011): Interactive Music 2.0: User‐driven ad hoc dance clubs. Short Term Scientific Mission Report COST IC0601
• T. De La Hogue, J. Rabin & L. Garnier (2011): Jamoma Modular: Une librairie C++ dédiée au developpement d’applications modulaires pour la création. Journées d’Informatique Musicale. Saint-Etienne, France. English paper version
• J. Allison (2011): Distributed Performance Systems Using HTML5 and Rails. 26th Annual Conference of the Society for Electro-Acoustic Music in the United States. Miami. Slides
• N. Peters (2010): Sweet [re]production: Developing sound spatialization tools for musical applications with emphasis on sweet spot and off-center perception. PhD thesis, McGill University, Montreal, Canada.
• T. Place, T. Lossius & N. Peters (2010): The Jamoma Audio Graph Layer. Proceedings of the 13th International Conference on Digital Audio Effects. 6-10 September 2010, Graz. poster
• T. Place, T. Lossius & N. Peters (2010): A flexible and dynamic c++ framework and library for digital audio signal processing. Proceedings of the International Computer Music Conference, 1-5 June 2010, New York.
• P. Baltazar & B. Habbestad: Unruhige Räume – Spatial electroacoustic composition as a collaborative artistic research process. Proceedings of the International Computer Music Conference, 1-5 June 2010, New York.
• Pritchard, A. / R. Sletteland (2009): Don’t touch me, you don’t know where I’ve been. A performance, installation and publication / Commisioning a piece of music. Remarks on Alwynne Pritchard’s Don’t touch me, you don’t know where I’ve been (performance version). Sensuous knowledge series, vol. 7, Bergen National Academy of the Arts.
• Jensenius, A. R (2009): Motion capture studies of action-sound couplings in sonic interaction. STSM COST Action SID report. fourMs lab, University of Oslo.
• Lossius T., P. Baltazar & T. de la Hogue (2009): DBAP – Distance-Based Amplitude Panning. Proceedings of the International Computer Music Conference, 17-21 August 2009, Montreal.
• N. Peters, T. Lossius, J. Schacher, P. Baltazar, C. Bascou & T. Place (2009): A stratified approach for sound spatialization. Proceedings of the 6th Sound and Music Computing Conference, 23-25 July 2009, Porto. poster
• T. Place, T. Lossius, A. R. Jensenius & N. Peters (2008): Flexible control of composite parameters in Max/MSP. Proceedings of the International Computer Music Conference, 24-29 August 2008, Belfast.
• N. Peters, T. Matthews, J. Braasch & S. McAdams (2008): Spatial sound rendering in Max/MSP with ViMiC. Proceedings of the International Computer Music Conference, 24-29 August 2008, Belfast.
• Lossius, T. (2008): Controlling spatial sound within an installation art context. Proceedings of the International Computer Music Conference, 24-29 August 2008, Belfast.
• Jensenius, A. R., K. Nymoen and R. I. Godøy (2008): A Multilayered GDIF-Based Setup for Studying Coarticulation in the Movements of Musicians. Proceedings of the International Computer Music Conference, 24-29 August 2008, Belfast.
• Godoy, R. I., Jensenius, A. R. and K. Nymoen (2008): Production and perception of goal-points and coarticulations in music. Acoustics ’08, 29 June- 4 July 2008, Paris.
• Place T., T. Lossius, A. R. Jensenius, N. Peters & P. Baltazar (2008): Addressing Classes by Differentiating Values and Properties in OSC. In Proceeding of the Conference on New Instruments for Musical Expression (NIME), 2008, Genova. poster
• Nymoen, K. (2008): SID Short Term Scientific Mission from University of Oslo to McGill University Montreal; 2/3/2008 – 29/3/2008
• N. Peters, S. Ferguson, S. McAdams (2007): Towards a Spatial Sound Description Interchange Format (SpatDIF). Canadian Acoustic, Vol. 35:3, pp. 64-65.
• N. Peters, M. Evans & E. Britton (2007): Trakhue Intuitive gestural control of live electronics. Proceedings of the International Computer Music Conference, 27-31 August 2007, Copenhagen.
• Jensenius, A. R. (2007). Action – Sound: Developing Methods and Tools to Study Music-related Body Movement. PhD thesis. Department of Musicology. University of Oslo, Norway.
• Lossius, T. (2007). Sound – Space – Body. Reflections on Artistic Practice. Submitted in partial fulfillment for Research Fellowship in the Arts. Bergen National Academy of the Arts
• Place, T. & T. Lossius (2006): Jamoma: A modular standard for structuring patches in Max. In Proceedings of the International Computer Music Conference 2006. New Orleans, USA: International Computer Music Association.

If you know of additional publications that you would like to see listed, please let us know.